NATURAL Rec709 + Creative LUTs - Sony Alpha (A7IV, A7S III, A7S II, A7III, A7R III, A7R II) | FS5/6/7 | RX | ZV-1 | FX9 | FX3/FX6/FX30/ZV-E1 - SLog2/3 (28 LUTs)
This package includes our Natural REC709 LUT (and its 4 variations) and 17 creative LUTs to stylize your Sony Alpha (including the A7S III and A7IV), FS5, FX3, FX6, FX30, FS7, RX series ZV1 and ZV-E1 footage. Our creative LUTs are inspired by some of the top high end commercials and they include 17 different and unique looks (BUTTERY Eterna, B&W, Tobacco filter, Crunchy Gold, Day X Night and many more). The creative LUTs are not recommended for monitoring since they are made to stylize your footage, but we still used our incredibly accurate Natural Rec709 as a starting point, so even if they are a little bit pushy, they still retain a lot of information in the highlights, shadows and skin tones.
HOW TO USE BUTTERY LUTs:
The workflow is extremely simple: first of all, you need to shoot LOG and LOG only. In your editing or color grading software just apply the LUT to your footage and do the basic adjustments such as exposure, contrast, WB or tint as you like. That simple.
Our LUTs work in every single lighting situation, at any ISO. Yep, just one LUT! Our LUTs are compatible with any software that support .cube files, such as DaVinci Resolve, Premiere Pro and Final Cut X.
Check out this tutorial to see how to use the BUTTERY LUTs!
NOTE: Our Sony LUTs also work perfectly with the A7S III and the A7IV. If you shoot SLog3 that’s totally fine, but you might need to add a little bit of extra contrast. If you usually overexpose your footage, feel free to do so, but apply the LUT on a second node and adjust your exposure on a first node (in this way you will work on the log). Also, keep in mind that ND filters might cause some shifting in the tint. Again, this is only a starting point to start your grade and we recommend to do all the necessary adjustments before the LUT node such as tint, WB and contrast. For the A7IV, use the A7SIII LUTs.
